School korean drama video killed the radio star

#School korean drama video killed the radio star android
#School korean drama video killed the radio star tv

It wouldnвЂ™t have been easy to discern Joe MeekвЂ™s future from the fine but opaque premise of вЂњWhat Do You Want To Make Those Eyes At Me For?вЂќ However, concentrated listening to вЂњVideo Killed The Radio StarвЂќ reveals, in embryo, nearly all of the elements which contributed to his becoming one of the two or three greatest record producers pop has ever known are present. And who was this Trevor Horn, exactly? A not even remotely fashionable chap, with Thunderbirds spectacles, an incipient mullet which seemed to have sprung directly from 1974 and a terrible glittery suit.ДЄnd yet my response to this record is inevitably conditioned by what Mr Horn went on to achieve. Certainly its opening Abba-esque piano chorales and floating, flanged bass suggest an architectural intention of making a major statement. Next to the easy (because hard won) good humour of вЂњPop Muzik,вЂќ вЂњVideo Killed The Radio StarвЂќ in the autumn of 1979 might initially have seemed a little too grandiose, a Grand Gesture by pre-punk gatecrashers. В« THE POLICE вЂ“ вЂњMessage In A BottleвЂќ LENA MARTELL вЂ“ вЂњOne Day At A TimeвЂќ В» Comments well, this geek would turn out to be one of the great winners from the 1979 beauty parade? The song on its own is in fact as much a tribute to radio power as an elegy вЂ“ its jingle-bright hooks and gorgeously glossy production jump out at you with no visuals needed вЂ“ but the gleefully inventive video not only shows how much imagery can add to a track, it turns the song into something a little darker: a mocking celebration of a triumph thatвЂ™s already happened, and a manifesto for a new pop world which it freely admits not everybodyвЂ™s going to like. Later commentators would accuse pop video of turning music into a fiesta of looks over talent, but Trevor Horn was no cutie and his performance is what makes this clip (and song) so compelling вЂ“ who would have expected that thisвЂ¦.

The studio-laboratory is wheeled away вЂ“ more artifice вЂ“ to reveal its masters as a band, jamming in silver suits alongside their still-trapped superheroine. At one point in the middle-eight the screen is filled with another screen on which an anonymous hand strikes a perspex drum: a half-minute after televisions rise up from the exploded rubble of the radio age and on one of them a mad-eyed Horn points accusingly into the blank distance вЂ“ вЂњPut the blame on VCRвЂ¦.вЂќ The whole thing is like an amazing mix of Orwell, Flash Gordon and Play School.

#School korean drama video killed the radio star tv

These inhumanoid creators of video pop can capture and plasticise anything in their evil factory: next to the scientistвЂ™s smirking accomplice is a TV on which dollybird clones mouth the creed of the pop thatвЂ™s coming.

#School korean drama video killed the radio star android

And here one is! The crooner now revealed as a sinister gonk, the clipped voice unchanged but somehow more creepy and android coming from this capering figure. The radio explodes, the girl turns into a space angel, and as Horn sighs вЂњabandoned studioвЂќ weвЂ™re in a thoroughly busy one вЂ“ reel-to-reels, banks of keyboards, and the angel-muse-superhero-whatever sealed inside a glass tube, as if at the whim of a sci-fi villain. Trevor Horn, this ghost-image in crooner drag and awkward perm, has treated and clipped his vocals to mimic the compressed range available to old-timey singers, giving his thin voice a genteel veneer as he sympathises with one of them. And then an antique microphone, a singer, 1952: weвЂ™ve been here before. The effect is a mockery of memory, undercutting the songвЂ™s apparent nostalgia: in Buggleland, everything is artificial, even your past вЂ“ gummed together out of plastic and cheap glue. It starts before the beginning вЂ“ a badly cut-out moon illuminating a bin-liner sea and a girl playing a cardboard wireless. So, for once but I hope aptly, this is a review of a video not so much a record. Instead the film вЂ“ unlike a lot of music videos вЂ“ enhances the song, stays true to its contradictions and tensions, threats and regrets. Had to be not because of that particular historical coincidence, but because if theyвЂ™d got it wrong theyвЂ™d have turned the track into the novelty it almost sounds like. A self-fulfilling prophecy: BugglesвЂ™ MTV-launching promo clip for вЂњVideo Killed The Radio StarвЂќ is as extraordinary is it had to be.